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Hailing from Ohio, VALDRIN formed in 2010 with the intent to play a unique form of black/death metal using a lyrical concept called the “Ausadjur Mythos.” This story combines many aspects of various ancient mythologies and occult practices, all synthesized into one grandiose tale, told through the eyes of the protagonist Valdrin Ausadjur.
Two Carrion Talismans sees VALDRIN going from strength to strength. Undoubtedly death metal through and through, there is a pervasive sense of strangeness that seeps through every nook and every note of Two Carrion Talismans. Its compositions endlessly spiral and shapeshift upon themselves, all whilst maintaining a highly memorable quality; VALDRIN are truly grounded in METAL music, but choose death metal as the primary platform. And yet, with their seamlessly blended usage of synths adding a most haunting and even levitational quality, Two Carrion Talismans takes on a decidedly blackened aspect, imparting a sense of mysticism and even wonder to their muscular attack. It all blends together into a deliriously dark and daresay velvety experience, like drowning into an inky beyond much like the cover art’s protagonist.
A truly unique timelessness, one that feels vaguely/specifically mid ’90s “retro” on the surface, but more accurately – and more beyond/below said surface – an incredibly nuanced and textured approach to craftsmanship and narrative voice that soundly puts it in a class all its own.
Two Carrion Talismans by VALDRIN
